Practical copy tips for mission-led e-comm and lifestyle brands, every Tuesday. Written by two brothers lucky enough to have written copy for some massive (and rad) brands.
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⚡ How Starface use orthography to build a killer brand voice
Fair warning ahead of this week's newsletter: it's very word-nerdy. But we thought it was worth digging into because it's an aspect of brand voice and copy that often slips the net, even though it can make a huge difference.
Let's demonstrate.
For context, the whole idea for this email all started when we both started getting these texts from Specsavers and spent at least 20 minutes in our weekly kickoff call moaning about them👇
"I am Jack's complete lack of engagement"
Now, as a rule, we try to celebrate copy in this newsletter. We try to share the wins and highlight the cool stuff and the things other brands are doing well that you can learn from.
(This is partly because humans learn better like this and partly because we believe you'll write your best copy if you feel empowered to try things, not afraid to make mistakes.)
However, so far, we've only fallen short of that commitment to positivity when we talked about Brewdog's copy that read like a 15-year-old edge lord trying to be controversial. We stand by calling that out. It was baaaad.
And today, Specsavers goes on our wall of shame.
You see, our big problem with their messages is that there's an almost headteacherly, "I'm disappointed in you tone" that's there to make us feel like we have to book an eye test. It's icky and manipulative, especially as it's a paid-for service by a private company.
☝️ Us when a brand's copy gets manipulative.
And while the framing that it's an obligation and the almost nagging, repetitive structure plays a part in this, it's the full stops that are really at the root of the problem.
So we thought we'd write an email that looks at how punctuation and little stylistic quirks in the way you write can have as much impact on your tone and message as the words you choose.
Fun fact: these little details, like how you punctuate or capitalise or how you spell words, are called orthography.
Let's get into it 👇
💡 This week's big idea: the way you use punctuation and grammar and spelling isn't about "following the rules". It's about making sure you're sending the right emotional message.
Ever got a Slack message from a colleague that requires a simple "OK" in reply, but you can't bring yourself to do it?
Isn't that odd? Why is it that sending OK in reply to a message or email feels so curt and aggressive?
After all, there’s nothing inherently aggressive about the term.
Well, here’s where things get really interesting…
Gretchen McCulloch, a linguist that specialises in the way internet shapes how we write and communicate (AKA, our kind of person), says that because the English language doesn’t have a formal or informal “you” like other languages, we rely on other, more subtle, cues to tell whether someone is being polite or friendly.
“Kk” is an example. When we reply kk to a message, we’re employing a linguistic technique called reduplication that softens the message. It makes it feel sing-songy and nursery-rhyme-y.
It's why “bye” feels curt, but “bye-bye” sounds friendly. “Night” sounds blunt, but “night-night” is cute and sweet. And, as anybody with a toddler will know, “poo-poo” and “wee-wee” sound much cuter than “poo” and “wee”.
But reduplication is just one way we're all constantly adjusting the way we communicate with each other online.
In fact, it's very likely that a huge chunk of your customers have grown up communicating pretty much exclusively via the internet or via text.
As such, their language has become much more nuanced. There's new ways of communicating sarcasm, irony, in-jokes, excitement...
... and they're all done through very subtle cues and uses of punctuation.
In other words, marks, spacing, and little particles (“ok”, “kk”, “…”, “??”, “lol”) stand in for facial cues and timing IRL.
And so, different generations and communites treat those marks as social signals, not grammar.
And so if you don’t model your brand’s punctuation the way you model colours and components, you risk your customers hearing the wrong tone, even if your messaging and copy are bang on.
So let's get into it 👇
Orthography in the spotlight: how Starface turns punctuation into a standout brand voice (and why it works)
Gretchen McCulloch has a whole chapter of her book Because Internet where she goes into how orthography becomes a "typographical tone of voice" when you're writing online.
In other words, your punctuation and spelling and capitalisation become tone markers for your audience to infer the intent of what you're saying.
It's like "Hey." vs "Hey!" vs "Hey 👋" vs "heeeeeeeeey!"
All the same one-word greeting, but completely different tones and impressions, right?
And there are lots of brands that nail this. Monzo have their cheeky asides in brackets or italics, Liquid Death use lots of full stops to underline their deadpan sense of humour, Who Gives a Crap goes the other way and dials things up...
☝️ All brands nailing using punctuation and other bits of orthography to create a "typographical tone of voice". Smart.
... but none of them do it quite as well as Starface.
TLDR: Starface are a Gen-Z/Gen-Alpha brand that have managed to make pimple patches a status symbol with a deliberately playful and approachable tone of voice that stands out in a market of clinical skincare speak.
And boy, has it worked for them.
According to some reports, they're doing $90M a year in sales and on track to be worth over $1B in the next 5-10 years.
And while their tone of voice is very much of that post-Innocent, nonchalant, Gen Z wheelhouse, it's their use of punctuation that's really interesting.
Check this out 👇
Now, when brands sell to Gen Z, it's usually a flurry of exclamation marks, lots of the ✨ emoji and a "hey bestie!" tone of voice.
(Here's an interesting side note: pre-2005, an exclamation mark was reserved for showing anger or shock, not joy or excitement. The internet completely flipped it and now it's used to soften a message.)
So, Starface's typographical voice becomes defined by a few things:
A complete lack of capitalisation
Incomplete and technically unfinished sentences that function like little emotional beats ("like a hug for your lips")
Chatty, conversational copy but very subtly so. There's no OTT Innocent-i-ness to it.
Lots of text and internet slang and Y2K internet-isms
ASCII smileys (like this :) ) instead of emojis in places.
The result is a product description that feels more like a message from a fellow Gen Z person than a brand trying to sell to you.
But cleverly, by tapping into Gen Z's Y2K nostalgia and using things like ASCII smileys and stretched words (soooo), it also acts as a kind of tonal bridge between generations.
So while Gen Z read the copy like a DM from a friend, older customers are going to spot those Y2K cues and MSN energy and feel invited in rather than aged out.
Love that.
Just look at the difference it makes to their copy if we "fix it" to make it flow better and be "properly" capitalised and punctuated👇
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Immediately, it's lost that Starface-y Gen Z vibe. The chattiness and laid back tone are almost completely gone because none of it was really coming from the copy itself, but from the way it was presented and formatted.
That's the power of having a typographical brand voice as well as a lexical (AKA wordy) brand voice.
🧠 The knock-on effects of this voice: building a community
Creating a community is the foundational part of Starface's growth strategy.
Starface President Kala Brothers once said:
“Wearing our Hydro stars is signaling that you’re part of a community; when you see somebody else wearing them, you say, ‘This is someone who’s kind of going through the same thing that I am,’ and they don’t care [that they’re showing acne in public]. It’s not just an item to heal and soothe your pimple, but also an accessory and a part of your everyday life, making you feel great.”
And their typographical brand voice is an extension of that.
They write how their audience writes. Not in a performative, tacked-on way. But in everything they do.
Which, annoyingly, makes it very tricky for us to turn this into a hard-and-fast rule you can follow.
However, there is a mindset shift buried in all of this that improved our own copywriting significantly as we transitioned from students into copywriters: stop thinking of punctuation and spelling and grammar and capitalisation as something you can get right or wrong.
Forget what your GCSE English teacher drilled into you. Ignore those red squiggly lines in the Google Doc. Stop Googling "do I need to use an Oxford comma?"
☝️ You, next time you fire up a Google Doc.
Instead, think of your formatting and your typographical tone of voice as ways to underline the emotion you're aiming for.
In a way, choosing how to write a word or punctuate a sentence is closer to finding the right song for a reel on IG than it is submitting an English essay.
Now, are we saying that you can just throw out the entire rulebook of writing and go rogue? Absolutely not. When you want to be clear or convey a specific message clearly rather than a vibe, the rules of language absolutely still apply.
But for things like social media, emails, product descriptions or copy where the goal is to make a connection or build your brand? Audience-appropriate tone markers and clear "we're just like you" signals will beat rigid "proper writing" any day of the week.
The key is to match the way that you use your typographical tone of voice so that it feels familiar to your customer. That way, they feel immediately seen and receptive to your message.
You really want to find places where your customers are relaxed, unfiltered, and most likely to let their real voice through.
Pro tip: we 🧡 starting on Reddit because it’s already split into tribes based on interest, so you can dive into subreddits for your niche and see how people talk when they’re ranting, raving, recommending stuff, hanging out…
Then, just sit and absorb it. Immerse yourself in it.
Look for unusual spellings, quirks of grammar, whether they use full stops or not, whether they write "lol" or use laughing emojis or go full deadpan with their humour...
You can even copy and paste them into a document, upload it to ChatGPT and get it to break down the orthographical patterns that pop up again and again.
👆 And that’s the stuff you want to find. Those subtle formatting and spelling and capitalisation quirks that signal "we're one of you" to your customers when you use them.
But remember, only use the ones that feel like a good fit for your brand. There's a thin line between being authentic and going full Buscemi...
You're getting this email because you're awesome. (Well, that and you signed up to the Do Words Good newsletter through our website, social media or a guest post somewhere.) If you're reading this far, then we don't want to get too weird and overly friendly, but we like the cut of your jib. Not many people read the fine print and the little bits and pieces. But we do, and so do you. Hell yeah. Unfortunately, there's not much to read here. Just the usual gumpf we have to include to stop lawyers breathing down my neck. Stuff like this 👉 The unsubscribe links are here: Unsubscribe · Preferences (Side note: don't you hate it when emails say "Here's how to unsubscribe if you hate me/want to crush my dreams/want my children to starve? We do. That really pisses us off.) Anyway, we can't let you leave empty-handed now you've read this far. So here's a super interesting video about how language shifts and changes and how even the Miriam-Webster dictionary think we should use language how people use it, rather than how it is "supposed" to be used. So take that, grammar pedants. Beware: Vox have a tonne of awesome videos. Be careful you don't fall down a 2-hour YouTube hole. (Unless your boss is off sick today...) And if you want to send us gifts, cool stuff or postcards from your travels, you can send it here: Suite 1, The Courtyard, The Old Monastery, Windhill, Bishop's Stortford, Hertfordshire CM232ND
(Please, we don't want any Enduring Love scenarios. If we move our curtains in a certain way, that doesn't necessarily mean we're madly in love with you.)
Do Words Good
The weekly email helping ecomm and DTC brands take their copy from "meh" to "f*ck yeah"
Practical copy tips for mission-led e-comm and lifestyle brands, every Tuesday. Written by two brothers lucky enough to have written copy for some massive (and rad) brands.
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